The future we deserve

February 29, 2012

Telling the future is impossible, yet we have to do it every day. We need to be realistic at the same time as allowing some hope, as not trying for better things is one of the best ways to ensure that they will never come. I was fortunate enough to be part of a recent project to try to imagine what is possible and what is real in our coming future. The future we deserve:

The book grew out of a single tweet from Vinay Gupta, it is a mix of dreams, plans, fears and wild hopes, yet all carrying a sense of reality. Although it much be said that such is the pace in which predictions stale that the future today already looks different in many ways to the futures painted in this book. I am proud to have two essays included in this book. You can buy the book, take a look at the essays online, see further developments of the project, or discuss on twitter, to help us all build a future we deserve.


Being wrong

February 24, 2012

I hate being wrong, ask anyone in my family, they will get that slightly weary look and agree (and I am not the only one). I have tried to counter this by learning and improving my knowledge, which helps me, but if I am honest doesn’t help my family. In addition I am a teacher and so, in many situations, could just fall back on authority. Yet in teaching I have realised something important, I actually like it when my students are wrong. I would not say it is the best situation, perhaps, but it is positive. The reason is simple: to be wrong you have to be engaged.

I was thinking about this as I read the post on The Renaissance Mathematicus  talking about the birth of HistSci Hulk, sworn enemy of anyone who is wrong about the history of science (a noble and dangerous quest). This might seem to be the opposite position to the one that I gave above. I have felt the sting of his corrections myself, luckily in private not public! It is not opposite, in fact it is the essential counterpart. Being wrong is positive, but only as it helps on the way to better understanding. Reading about how the concepts of gravity were starting to come together before Galileo, and that he did not experiment by dropping things from the tower of Pisa, does take one further. Yet this does not make the original story worthless. It introduces the idea of gravity, the sense there was a change in understanding and  Galileo, himself.  The correction builds far more happily on this knowledge than it would standing on its own. For this to be effective, of course, we have to accept that stories (especially much loved ones) can be wrong, and more to the point we ourselves might be wrong.

I believe this is actually the great strength of the scientific method, and mathematical proof. Not that they can be used to show things are right, not even that they can show things to be wrong, but that they give a framework to persuade someone they are wrong. They help to develop understanding faster and further.

So do not get embarrassed when you are wrong. Do not get defensive. Learn to embrace it, be grateful, admit it. Then you are learning.

“It is better to open your mouth and learn that you were a fool, than to remain silent and never know.”

Some other takes on the same idea come from the inventor James Dyson and the author Kathryn Schulz.


The Academy: Axiom 1

September 3, 2011

The rule

This post is not trying to do anything clever. It is making a statement that seems self-evident:

There are three ways to gain understanding of the world:

  • Personal experience
  • Systems of rules
  • Stories

All are equally important, and each has its strengths and weaknesses.

The important point is not the content of the statement but the stating of it. This is not just something that feels correct (to me) but something that feels fundamental. This mirrors one of the quests of mathematics to find the simplest statements on which to build the whole subject. I have my suspicions that the same thing would not work completely here, though writing the “Elements of the Academy” with this as one of the axioms might make a curious exercise!

This axiom maps onto the world of academia. The Sciences are primarily concerned with the use of rules to understand the world; the Arts centred on the creation of objects that attempt to transfer personal experience; and the Humanities write, dissect and try to understand the stories of the world.

All three areas, of course, do and should take advantage of the strengths of the other two methods as well as their primary concern.

The story

As a mathematician I obviously come from the grand tradition of finding rules to understand the world. For much of human history this was known to be rather limited in its scope. It was applicable to commerce, certainly; but also to questions of measurement, and to the study of the stars and music. Then, with the acceptance of arguments based on infinitesimals and the genius of Newton and Liebniz, the models of calculus opened up a vast array of phenomena to understanding through rules. It was so successful that many started to believe that it would eventually explain everything.

I do not believe this to be the case. Chaos theory shows that even perfect models can be severely limited by small, unavoidable, measurement errors. The work of Gödel and Turing shows that even in the purely theoretical world, there are unanswerable questions. Some even believe that as fundamental a system as arithmetic might contain contradictions. Before we even get to these hard limits we must deal with the soft limits imposed by the great ideas that we have yet to have.

Unfortunately, or fortunately depending on situation and personal preference,  the world offers many questions that we cannot answer with a systematic, rules based approach. Questions we cannot ignore. I wanted to define for myself the other options, and place them in some imagined framework.

The personal experience

I don’t believe I have said much here. It is, as I stated, self-evident. I also think it is important. It has been useful and practical to me. So, if you have managed to read this far, I thank you, but ask one further thing. Think about it yourself and see if it is a useful for you too.

Acknowledgements

This post grew out of a string of tweets, out of which grew very valuable discussion with  Colin Wright (@ColinTheMathmo) and Daniel Colquitt (@danielcolquitt), on twitter and elsewhere.


Imagine you will talk to monkeys…

January 13, 2011

We have all sat in lectures, looking around to wonder if anyone is still able to follow. In writing a talk it is often hard to judge the right standard, and in general we make the lecture harder than it should be. Perhaps the answer is simple, imagine you are writing for a less knowledgable audience. So here is a handy guide, simply work out what level you are speaking for and go down a couple of levels. Alternatively if you loose track in a talk, try to work out just how many levels up the speaker has drifted!

  • Talk to author of “The Book
  • Talk to self
  • Talk to co-author
  • Talk to specialists
  • Talk to colleagues
  • Talk to mathematics students
  • Talk to general audience
  • Talk to Secondary/High school children
  • Talk to Primary/Grade school children/Elderly Colleagues
  • Talk to Monkeys
  • Talk to Furniture

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